American Audio DIGI-PRO User's Guide Page 195
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Chapter 8: Mixing 189
Setting up a post mix
Group channels by stem and set each channel output ac-
cordingly. Use Master Faders, auxiliary returns and/or chan-
nel groups for control of all stem output levels from a single
bank (Master Faders actually have this capability by default
with the MASTER FADERS switch).
Use Session Templates
By saving a session as a session template, you can instantly
restore the layout and arrangement of any session (the
SoundCheck and various Calibration Mode session tem-
plates are good examples). Any complex bank/channel set-
ups should be saved using Pro Tools Save As command to
create what will become the template. Refer to the Pro Tools
Reference Guide for more information on how to use session
templates on Macintosh and Windows.
- Digidesign ProControl 1
- Copyright 2
- Chapter 3. ProControl Basics 3
- Chapter 5. Recording 4
- Chapter 6. Editing 4
- Chapter 7. Plug-Ins and Sends 5
- Chapter 8. Mixing 5
- Appendix A. UTILITY Settings 5
- ProControl Guide 6
- Introduction to ProControl 7
- System Requirements 8
- ProControl System Contents 9
- ProControl Guide4 10
- Installing ProControl 11
- Additional software 12
- Assembling an Expanded System 13
- Dimensions (w x d x h) 14
- Hardware Connections 15
- 6. Ethernet 16
- 7. SW 1 and SW 2 16
- 8. Power 16
- Making the Necessary 17
- Connections 17
- Performance 18
- Step 3. Audio Connections 19
- About Stereo and Surround 19
- ProControl Guide14 20
- Connections for Stereo Mode 22
- Talkback/Listenback Input 23
- Slate/Dub (Rerecord) Output 24
- Connection 24
- Surround Monitoring Mode 25
- Optional Connections 27
- Fader Pack Connections 28
- Starting Up and Shutting 28
- Down a System 28
- Software Configuration 29
- ProControl Firmware 30
- Naming ProControl Units 30
- QuickStart System Test and 31
- Configuration 31
- Setup and Configuration 32
- Basic Configuration Options 32
- Fader Pack Options 33
- Troubleshooting 34
- ProControl Basics 35
- The Fader Section 36
- The Main Section 37
- Transport Switches 38
- Pre and Post-roll 39
- Defining in/out points 40
- 2 Enable Transport mode 41
- 3 Click OK 41
- ProControl Guide36 42
- To engage Commands focus: 42
- Display of EXT TRANS modes 43
- Pause mode 43
- Footswitch Control 44
- Level Meters 45
- WINDOWS Switches 45
- Time Counter Display 46
- ProControl Guide42 48
- STEREO Monitor Mode Overview 48
- Monitoring 49
- ProControl Guide44 50
- To enter UTILITY mode: 50
- Display of Current Settings 50
- Stereo and Surround mode 51
- STEREO MIX Switch 52
- SRC 1, 2, 3 Inputs 52
- MIX TO AUX/AUX Input 52
- Control Room Monitor Level 53
- Controls/Outputs 53
- AUX (5-6)/Aux. Monitor Out 54
- MUTE, DIM and MONO Controls 55
- Control Room ALT Switch 56
- UNDO and SAVE Switches 57
- The Numeric Keypad 58
- The TRACKPAD 58
- BANK SELECT 59
- To select a ZOOM/SEL mode: 61
- Pro Tools Edit Window: 61
- CLR / F1 62
- SCRUB/SHUTTLE Wheel 63
- ProControl Guide58 64
- To exit SCRUB mode: 64
- Using SHUTTLE Mode 65
- ProControl Guide60 66
- FUNCTION Switches 68
- The Escape Switch 68
- The Master Faders Switch 69
- The CHANNEL MATRIX 70
- The Big Picture 71
- 1/A, 2/B...32/SPACE 71
- BANK A-D 72
- SELECT MUTE SOLO PAGES 73
- SNAPSHOT 73
- REC / RDY CLR ALL 73
- CLR ALL (Clear All) Switch 74
- The PARAM/PAGES Switch 74
- When to use GO TO or VIEW 75
- Example of GO TO 75
- ProControl Guide70 76
- To engage VIEW mode: 76
- ALPHA Mode 77
- ProControl Guide72 78
- Working with Tracks 79
- DigiFaders 80
- Keyboard Shortcuts 82
- Using the SOLO CLEAR Switch 82
- Solo and Record Safe Modes 83
- The CHANNEL SELECT SWITCH 84
- ProControl Guide80 86
- TM LED (yellow) 86
- PRE/POST ASSIGN/MUTE Switch 87
- ASSIGN/MUTE Mode 88
- Tip for Expanded System 90
- Fine Adjust mode 91
- PAN Switch 92
- INPUT and OUTPUT Switches 93
- Master ASSIGN Switch 94
- SEND MUTE Switch 94
- SEND Switches (A/F - E/J) 94
- The FLIP Switch 95
- Example of EQ/DYN Edit Mode 96
- EQ IN and DYN IN Mode 96
- Master IN/EDIT Switch 97
- Channel INS/SEND Switch 97
- REC/RDY and MSTR REC Switches 98
- ProControl 100
- Creating New Groups 101
- Overwrite 102
- Existing 102
- Enabling/Disabling Groups 103
- Editing Groups 103
- ProControl Guide98 104
- Selecting Groups 105
- Suspending Groups 106
- Deleting GROUPS 106
- Deleting All Groups 107
- ProControl Guide102 108
- Recording 109
- ProControl Guide104 110
- Shortcuts 111
- Displaying I/O Assignment: 112
- Monitoring Modes 113
- Record Modes 113
- LOOP REC 114
- QUICKPUNCH 114
- Step 5: Recording 115
- Loop Record Mode 117
- QuickPunch Recording 117
- Setting up Cue Mixes 118
- Slate/Dub (Rerecord) 120
- Talkback 121
- Listenback 122
- Listenback Level 123
- Listenback/Talkback Linking 123
- Enabling Listenback 123
- Using the DUB Function 124
- (Slate/Rerecord) 124
- Chapter 5: Recording 119 125
- ProControl Guide120 126
- Navigating, Zooming and 127
- Selecting with ZOOM/SEL 127
- PREVIOUS NEXT 128
- ZOOM / SEL 128
- Indicator 131
- Memory Locations and Markers 131
- Creating On-screen Selections 133
- ProControl Guide128 134
- Locations 135
- Capture, Separate, Trim 136
- EDIT TOOL Selection 137
- Trimming Regions 138
- Grabbing/Placing and Moving 139
- Selecting Regions 140
- Cut, Copy, Paste and Delete 141
- Grid Modes 141
- Nudging Regions 142
- Crossfades 143
- Fade from Start, Fade to End 143
- Editing Waveforms, MIDI and 144
- Plug-Ins and Sends 145
- INFO Switch 146
- INSERT/PARAM Switch 146
- SENDS Switch 146
- DSP EDIT/ASSIGN Switches 147
- SELECT/AUTO/PRE/POST Switch 147
- ASSIGN/ENABLE 148
- BYPASS 148
- D-Vrb (s) 149
- COMPARE/MASTER BYPASS 149
- CHANNEL/GROUP Display 150
- Assigning Plug-Ins 152
- Plug-In Editing 153
- Plug-In Display 154
- Bypassing Inserts 155
- ProControl Guide150 156
- All/All Selected Shortcuts 157
- ProControl Guide152 158
- BYPASS 158
- EQ and DYNamics 159
- In EQ/DYN EDIT mode: 160
- In EQ/DYN IN (bypass) mode: 160
- Accessing Plug-In Pages 161
- DSP EDIT/ASSIGN Section 164
- DVr-10.5 SlS 4.8 165
- Using the FLIP Switch 166
- FLIP Mode Basics 167
- FLIP Mode Applications 168
- Muting Sends 169
- Pre/Post Fader Send Status 170
- BYPASS/IN/OUT/Ø Status 171
- ProControl Guide166 172
- Signal Routing 173
- MASTER FADERS 174
- Automation Controls 175
- 1 2 3 4 5 6 176
- Automation Mode Color Display 177
- AUTOMATION 178
- AUTO SUSPEND 179
- Automation 179
- Chapter 8: Mixing 175 181
- Stereo Send Pan 182
- FLIP mode 184
- Automating Plug-Ins 185
- ProControl Guide180 186
- Chapter 8: Mixing 181 187
- Editing Automation 188
- Chapter 8: Mixing 183 189
- ProControl Guide184 190
- MUTES or Plug-In controls 190
- To utilize WRITE/TRIM mode: 190
- Write to Start/End/All 191
- Write to End 192
- Write to All 193
- Advanced Applications 194
- Setting up a post mix 195
- Use Session Templates 195
- ProControl Guide190 196
- UTILITY Settings 197
- Example of UTILITY Selection 198
- Remote (Local) 199
- UTILITY Mode 199
- Local Test Page 200
- UTILITY SYSTEM Settings 201
- MONITOR Settings 201
- MUTE/DIM Page 202
- TALKBACK 202
- Listenback Settings 203
- UTILITY TEST Settings 203
- Switch Test Mode 204
- Red LED Test Mode 204
- Yellow LED Test Mode 204
- Display Page 205
- Fader Page 205
- ProControl Guide200 206
- Rotary Page 207
- Mouse Page 207
- Reset (Factory Default) Page 208
- Prefs Pages 208
- Fader Resistance 209
- ProControl Guide204 210
- Audio Wiring Pinout Diagrams 211
- Audio Input 2 212
- Audio Output 213
- ProControl Guide208 214
- Numeric Keypad Transport Mode 215
- Numeric Keypad Shuttle Mode 216
- Memory Locations 217
- Commands Focus Shortcuts 218
- ProControl Guide214 220
- Numerics 221
- ProControl Guide216 222
- Index 217 223
- ProControl Guide218 224
- Index 219 225
- ProControl Guide220 226
- Index 221 227
- ProControl Guide222 228
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