American Audio DCD-PRO300 Owner's Manual Page 4

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Master Level Controls
Each channel is able to control its volume independently relativ e to the
other channel. At the bottom left of the rear panel, there are 2 screwdriver
adjustment knobs which correspond to the volume level of the channel
identifie d by a channel designator below it.
The volume range is labeled Minimum to Max imum and has 1 steps
(Clicks) at a center detent position as a reference. Rotate the knob
clockwise to increase output, and counter clockwise to decrease
output.
These adjustm ents set the master leve l and if not set up at initi al setup
of the Power Pro 300 will or may adversely affect the perform ance of
the amplifi er.
To set the Master Lever controls begin by adjusting the front panel
“Volume Trim” to its fully clockwi se posi tion. Also set the front panel
“Balance Trim” to its cent er dete nt posi tion. Now adjust both the left
and Right Channel Master Level contr ols to set a “Maximum” desir ed
volume for the Power Pro 300 in it s appl ication, as wel l as setting an
Appropr iate ”Bal ande” from left to right.
Now the front panel Volume and Balance Trim controls can Make fine
adjust ments to your set up in this appli cati on.
There are a total of 4RCA inputs on the back panel of the Power Pro 300.
These RCA inputs are labeled as “Line 1 Input” and “Line 2 Input”. They
are also designated with an “R” or an “L” as Right channel or Left Channel
inputs respectively.
“Line 2 Input” should be used as the “primary” or normal input for vario us
line level sources that may be available locally to the amplifier. “Line 1
Input” is a priority switching input that can be used for a second input,
such as, the output of a second source, and will take over as the primary
input whenever a signal with a minimum of 5mv of level is present.
Whenever, there is an absence of signal at the “Line 2 Input” RCAs input
signal. An adjustable delay of from 3 modate the nature of the source
connected to the “Line 1 Input” RCAs.
As an example, if the “Line 1 Input” source was a CD Changer, The delay
could be adjusted to prevent switch ing back to the “ Line 2 Input ” source
while the changer moves from one disc to another.
Speaker Level Input
The Power Pro 300 also provi des a pair of speaker level inputs for
those appli cati ons where either of the sources has only speaker level
output signal available. This input may be switched to be used in place
of the line 1 or line 2 input.
Mode Switch
To the righ t of the Master Level controls is a switch labeled “MODE” with
“STEREOand “BRIDGEDas options. If you will be connecting one or
two pair of speakers to the amplifi er, place the switch in the “STEREO
positi on.
If you will be suing a pair of channels to power a single mono speaker,
place the switch in the “BRIDGED” position, and be sure to read the
section titled “Spea ker Terminals” below.
When you are using the amplifier in “bridged mode, the amplifier is
now a single channel mono amplifier. The two channels have been
internally connected in series by the bridge switch. The Power
Pro 300 is now capable of 250W, bridged into 8 ohms with less than
0.2% THD+N.
For the amplifier to operate properly in the bridged mode you should
have both the “right and left” inputs connected to the amplifier. The
amplifier will sum these signals and create your mono source.
Note: Both of the “Master Level” adjustments should be set to
the same Position, and the ”Balance Trim” should be set to the
center or 12 o’clock position for the amplifier to operatenormally
in the “Bridged” mode.
Note: This Amplifier will produce in excess of 200 watts with a
bridge pair of channels. Please verify that your speakers are
capable of handing such power to avoid possible damage!
Speaker Terminals
Each channel has two pair of multi-way binding post. These are the red
and black screw posts on the rear of the amplifie r. Terminals are provided
for “a and “bpairs of speaker for each channel. If you will be suing the
amplifie r as a stereo amplifie r (not a bridged amplifie r) you will connect the
speakers positiv e (red) terminal to the amplifie rs positiv e (red) terminal
using the appropriate gauge speaker wire, and the speakers negative
(black) terminal to the amplifie rs negative (black) terminal (immediately
below the positiv e terminal) using the appropriate gauge speaker wire. If
you would like to use one pair of channels bridged, place the “mode
switch in the “bridged” positio n and use both red terminals to connect
to the speaker. (See illu strationon page 5)
!
!
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RCA Input
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