American Audio DIGI-PRO User's Guide download pdf (Page 51)

Chapter 3: Exploring Rigs 45

Dyn Delay

This stereo delay effect is based on the Air Dy-

namic Delay plug-in that comes with Avid’s

Pro Tools recording software. A powerful effect,

Dyn delay can be synchronized to Rig or Session

tempo, and offers an envelope follower, that lets

you modulate various parameters, based on the

amplitude envelope of incoming signal. This ef-

fect includes the following controls:

Delay Sets the length of the delay, in millisec-

onds.

Sync Controls synchronization of the delay

time to Rig or Session tempo. Ranges from OFF

(no sync, set delay time with the Delay control)

to a variety of rhythmic note values.

Feedback Sets the amount of delay feedback.

Ranges from just one repeat, to a long-lasting

cascade of repeats.

Mix Sets the wet/dry balance of the effect.

Fine Toggles finer control of delay time in or

out. Toggled by SW2 in page one of the controls.

Mode Switches between the following four feed-

back routing options:

• Mono: Sums the incoming stereo signal to

mono, then offers separate left and right

delay output taps from that signal.

• Stereo: Processes the left and right channels

of the incoming stereo signal indepen-

dently and outputs the processed signal on

the corresponding left and right channels.

• Cross: Processes the left and right channels

of the incoming stereo signal indepen-

dently, and feeds the each side’s delayed

signal back to the opposite channel.

• Pong: Acts much like Cross, but the incom-

ing left and right signals are summed and

output from the left channel only. Due to

the cross-channel feedback, the signal

moves back and forth across the stereo

spectrum.

Ratio Sets the ratio of left to right delay times.

Move the control all the way down, and the left

channel delay time is half the right channel de-

lay time. Move the control all the way to the up,

and the right channel delay time is half the left

channel delay time.

Hi-Cut Adjusts the frequency for the High Cut

filter. For less treble, lower the frequency.

Lo-Cut Adjusts the frequency for the Low Cut fil-

ter. For less bass, raise the frequency.

Width Lets you adjust the width of the delay ef-

fect in the stereo field.

Em Rate Sets how quickly the Feedback and Mix

parameters respond to input from the Envelope

follower.

Em Feedback Sets how much the Envelope fol-

lower affects the Feedback amount.

Em Mix Sets how much the Envelope follower

affects the wet/dry mix.

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